PROXIES & INSTANCING WITH SHADER & MATERIAL RANDOMISATION TOOLS The new Triplanar mapping feature enables an artist-friendly workflow to proper map models which have no UV map at all. This allows you to use unlimited UVs per shader for comprehensive UV mapping control. Our new UV manager Tag brings UV channels to C4D. UNLIMITED UV’S PER SHADERS & TRIPLANAR MAPPING The new VR 360 stereo camera types let you output to the newest VR technologies. V-Rays real-world camera system let you work like a photographer, it offers all physical control and provides detailed depth of field and cinematic motion blur. PHYSICAL CAMERAS – VR READY – 360 DEGREE STEREO CAMERAS Special BRFD Material types gives you the all the tools and Artist can wish for.
#Vray 3.6 channels full
Due to its real-world layering setup, it is automatic full energy preservation correct. V-RAYforC4D offers a real world & multi-layered BRDF for creating high end and physical correct materials. PHYSICAL LAYERED BRDFS WITH NEW MATERIALS & SHADERS You can choose from several global illumination options – precise path tracing, approximate or a hybrid of both. V-Ray uses physically-correct ray tracing methods to precisely calculate lights and reflected light (“GI”) as we see it in reality. The new progressive rendering for CPU and GPU gives you an instant feedback on the render result. Subdivisions, technical render settings, all that is not needed any more in V-Ray 3.6. V-Ray 3.6’s new automated sampling with its variance based adaptive ray tracing technology offers a dramatically different way to work for artists in eliminating the need to set or tune any complex settings – just choose the GI engine type, the render time and start rendering. Simplicity is one of the best new features. SIMPLE USAGE – NEW FULL AUTOMATIC SAMPLING In addition, V-Ray 3.6 now also offers blazing fast GPU render options for previews and final frame rendering (for supported features-see FAQ page). V-Ray provides 100% physical correct ray tracing methods.
The new extremely optimized CPU rendering brings V-Ray to speeds never seen before rendering, providing a feature full and powerful production toolset for high-quality, high-resolution images and animations with V-Ray. In V-Ray 3.6 all parts of the engine have been greatly sped up. NEW V-RAY 3.6 CORE – BLAZING FAST CPU & GPU RENDERING SPEED Independent artists and top studios choose V-Ray every day to create world-class designs and visual effects. A quick and easy solution would be to enable us to add the effectsResults to the overall list of render channels so that the channel is added to the official list in the vrscene file and deadline can parse it.V-Ray’s very deep C4d integration keeps your workflow fluid and smooth and combines best of both worlds Right now I don't see the extra channels required for the denoise pass, just "effectsResults" which makes me think that this is mostly working as intended. And because this isn't coded into the vrscene file, when the file is parsed (in our case by Deadline for tile rendering), the effectsResults channel doesn't get added to the assembly job and we end up with 25 individual effectsResults channels that we don't need to begin with.
This in itself is annoying, however, the actual issue is that because we can't manually turn on or off these channels via the "render elements" box, the vrscene file isn't actually writing those as normal channels.
#Vray 3.6 channels update
Is there a way to prevent the effectsResults channel from saving when denoise is enabled? We render via vrscene predominantly, and since the update to 3.6, all channels required to create the denoise pass are also saved.
0 kommentar(er)
